The mystery of the "Happy Birthday" variations
Another "mystery" has been solved for me.
A loooong long time ago when I was still in grade school I begun to listen to the only classical music radio station here in the country. I always had a blank cassette tape ready in our radio-cassette player because whenever I found a music piece currently playing to my liking I would rush to record it onto the cassette tape. One of the intriguing pieces of music I recorded was a series of very clever variations on "Happy Birthday" arranged for the piano and done in the style of some of Beethoven's "greatest hits" : Fur Elise, Minuet in G, and the first movements of his Moonlight Sonata, Pathetique Sonata and Fifth Symphony. Unfortunately, I didn't catch the name of either the composer or the performer. This left me wondering all these years about the identities of both.
Then while in Ames, Iowa for my graduate studies, I came across some CD albums of a pianist named John Bayless and discovered his penchant for improvising on themes of popular classical composers. When I found out that he had recorded an album called "Happy Birthday, Bach", I thought that I had finally solved the mystery of the happy birthday variations. But since I could never find recordings by Bayless that included the Beethoven happy birthday variations I simply believed that they were no longer available.
I totally forgot all about those happy birthday variations for at least another ten years ... until last night when I thought that I'd search the Internet one more time for even a bit of information. That's when my search on "happy birthday beethoven variations" using Google on brought up a website that mentioned a set of happy birthday variations called "Happy Birthday, dear Ludwig" arranged by Leonid Hambro on a number of works by Beethoven. When I saw the list of Beethoven works I began to sense that this might be the answer to my long search. The website included links to midi files prepared by the website's author/owner and I clicked on those to listen to the recordings. To my great delight, except for some differences in interpretation they tallied with what I heard over the radio all those years ago! At the moment, I realized that at last, at last, I had solved the mystery of the happy birthday variations.
Although I don't know who had performed the "Happy Birthday, dear Ludwig" that I heard over the radio (I strongly suspect that it was Leonid Hambro himself) at least I know that I can move onto the other "musical mysteries" from my childhood: another piano piece my father had recorded from one of my grandmother's long-playing records and some baroque-sounding music used for a KLM commercial ...